![]() ![]() You can decline to be charged for the Thanksgiving print edition and Premium Editions at any time by contacting customer service at 1-80. This additional charge will be added to your billing, corresponding to the delivery date of the edition.Each Premium Edition will be charged at $6, and the Thanksgiving print edition will be charged at $6. There will be no more than two (2) Premium Editions published each calendar month during the subscription term. Thanksgiving and Premium Editions: Your subscription includes the Thanksgiving print edition and Premium Editions that are published to provide additional information and value. ![]() Enjoy daily games by visiting or through the USA TODAY Crossword app available on your iPhone or Android device.įull Access with print edition subscriptions: Ad-free access to USA Today Crossword puzzles.Sign up for one (or all of them) today at /newsletters. Newsletters can be sent right to your inbox. Newsletters tailored to specific topics our readers want more of.Ability to share your digital access with a friend or family member for no additional cost.For access to over 200 other newspapers, once inside Detroit Free Press eNewspaper, simply click on the icon titled Universal on the right-side navigation bar Access to all eNewspapers throughout the USA TODAY network.To unlock unlimited access, sign into your account in the app. You can personalize your news alerts, swipe, and scroll through stories faster, and bookmark them to save and read later. Breaking news alerts and updates on our tablet and smartphone apps.You can access the eNewspaper directly at /eNewspaper Access to the eNewspaper, an exact digital replica of the print edition.Lots of readers must’ve thought he was crazy, but we Oscar fans everywhere ate it up all and we loved Jack for it.Subscription Terms & Conditions for Detroit Free Press Times, he’d have the guts to write about the Oscars all year long, handicapping movies as they rolled out to theaters. “Jack was not only one of the greatest Oscarologists ever but one of the first,” Gold Derby editor Tom O’Neil told The Times on Thursday. In 1987, Mathews wrote the book “The Battle of ‘Brazil,’ ” chronicling the behind-the-scene clashes between director Terry Gilliam and Universal Pictures during the making of Gilliam’s gonzo 1985 dystopian sci-fi epic “Brazil.” Relocating to the East Coast, he continued to review films for Newsday and the Daily News before retiring 12 years ago.Įven after stepping away from the newspapers he loved, Mathews kept a hand in writing about the movie business, contributing Oscar predictions and analysis to the Hollywood awards blog Gold Derby up until this year. By the late 1970s, he was working as an entertainment feature writer for the Detroit Free Press when he was sent to Los Angeles to open a bureau in Hollywood, which was amid seismic change and creative ferment.Ī longtime cinephile (favorites included “Casablanca,” “Some Like It Hot,” “The Godfather” and “Jaws”), Mathews turned to reviewing movies, going on to stints as senior film critic at USA Today and, from 1985 to 1991, film columnist and movie editor at The Times. Mathews grew up in Los Angeles and earned his bachelor’s degree at San Jose State and a master’s in journalism at UCLA. ![]()
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